The idea behind SAL was to challange and to broaden the concept of land- and nature-art with the means of media- and sound-art


SAL was situated in the Nürnberg forest during the nature-art symposium Kreis im Wald in 2010.


SAL was facilitated with various equipment to record and replay sounds; amongst others, a pair of camouflage-loudspeakers with each 30 meters of cable.


Selected sound- and media-artists, composers and experimental musicians were invited to collaborate by either performing live or by sending sound-files for created to be played to the forest.


The sounds-files and recordings of the live-performances were continuously played to the forest.


featured artists:


- Aaron Christians Schlie (D)

  1. -Allison Lorenzen (USA)

  2. -Büro Schröder (D)

  3. -William ‚Bilwa‘ Costa (USA)

  4. -Gene Coleman (USA)

  5. -horstundireneschmitt (D)

  6. -Michael Markert (GER)

  7. -Rasmus Hedlund (FIN)

- Ursula Kreutz (D)

  1. -Veronika Riedelbauch (D)

  2. -weltanschauungsbeauftragte (D)


SAL (SylvanAudioLab)    2010

sound installation in public space

William ‚Bilwa‘ Costa

„underwatertower“

Rasmus Hedlund

- no title -

Michael Markert

„kII“

horstundireneschmitt

„wald“

weltanschauungsbeauftragte

„Deutscher Wald“

Gene Coleman & William ‚Bilwa‘ Costa

„in between“

Veronika Riedelbauch

- no title -

Ursula Kreutz

„deepforeste“

Allison Lorenzen

„unattended bag“

Büro Schroeder

„pornotexte“